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gurafiku:

Japanese Poster: Olivetti and Braun. Takeo Nakano. 2013

gurafiku:

Japanese Poster: Olivetti and Braun. Takeo Nakano. 2013

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dvdp:

130520

dvdp:

130520

handa:

Untitled  by Anna C. on Fivehundredpx.

handa:

Untitled by Anna C. on Fivehundredpx.

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typeworship:

I Love Clerkenwell
Today is the start of Clerkenwell Design Week, the UK’s leading independent design festival, in the heart of London. Over 60 showrooms will host presentations, workshops and product launches across a broad variety of design disciplines.
Clerkenwell is also the historically home of London’s type foundries, there was even a street called Type Street, near Caslon’s foundry. At it’s height all of the world’s major typefounders had a presence here, there were even two on my street alone. Fontsmith have a popular typeface named after it and today, Clerkenwell is home to many of London’s design agencies, furniture stores and more architects per square mile than anywhere else on the planet.
Above is one of my favourite designs, a typographic map of the area. “Broadside 5” is a letterpress print by Alan Kitching, master letterpress typographer and printmaker. This map now serves as an historical reminder of the changes in the area, since being printed in 1992 . Neither “Oysters, Crabs and Lobsters” nor “Bric-a-brac”are available any more on Exmouth Market.

typeworship:

I Love Clerkenwell

Today is the start of Clerkenwell Design Week, the UK’s leading independent design festival, in the heart of London. Over 60 showrooms will host presentations, workshops and product launches across a broad variety of design disciplines.

Clerkenwell is also the historically home of London’s type foundries, there was even a street called Type Street, near Caslon’s foundry. At it’s height all of the world’s major typefounders had a presence here, there were even two on my street alone. Fontsmith have a popular typeface named after it and today, Clerkenwell is home to many of London’s design agencies, furniture stores and more architects per square mile than anywhere else on the planet.

Above is one of my favourite designs, a typographic map of the area. “Broadside 5” is a letterpress print by Alan Kitching, master letterpress typographer and printmaker. This map now serves as an historical reminder of the changes in the area, since being printed in 1992 . Neither “Oysters, Crabs and Lobsters” nor “Bric-a-brac”are available any more on Exmouth Market.

prostheticknowledge:

Evolució by Onionlab / Mapping Festival 2013 

From the mailbox, a projection-mapping project:

Hello!
I am contacting you to present Onionlab’s most recent piece, Evolució

You will also find some high-resolution pictures here:
And here is a brief description of the project:
Evolució
Onionlab presents Evolució, a piece that revolves around the graphic and sound abstraction of the concept it is named after: evolution. It is construed as transformation, construction and alteration of reality through time; evolution as a discontinuous creation process as well.
Created with 3D projection mapping techniques, this time, Evolució was projected onto the façade of the Musées d’art et d’histoire de Genève, though the piece takes the evolution concept even further: It was conceived as an open transformation process so that it can also be adapted to different façades and projection surfaces, and so that Evolució can continue its transformation process.

(出典: m1chela)

z-x-y:

Settlements and City Strategies by olalekan jeyifous

This series contains abstracted planimetric drawings and eerily-serene cityscapes that suggest the changing contours of urban settlements. They represent an idea of a degenerate futurism, yet one might find similar typologies and scenes in places such as the favelas of Brazil and North Africa, and in overpopulated cities such as Lagos, Mexico City, and Mumbai. Though outputted digitally, the drawings possess a textured and painterly quality as a result of combining hand-drawn sketches, industrial textures, surfaces of deteriorated paper, and digital architectural models.
A constant interplay between digital and analog processes is important in my work, resulting in a highly layered set of documents. The drawings presented here started out as digital images that were outputted, sketched and drawn over, and scanned back into the computer in order to be retraced, textured, and layered

(handaから)

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tokyokanji:


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tokyokanji:

(出典: chinesecharacter)